For Hardy, the physical world holds within its form and structure as many meanings as the imagination of the observer has powers to encompass. The physical expression of things – the way the world looks and is looked upon—yields due significance to the acute observer but immeasurable significance to the imaginative poet whose endeavour, as Hardy saw it, should be to draw out the essential existence of things unseen and render them visible. This is also the part real, part imaginary world of the Wessex novels, a world shaped by an imaginative seeing into nature, human and pastoral, but a world bound no less by hard material fact, life as it is lived.


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